In the aforementioned food court, I was hiding behind a seat and watched an enemy skulk across the room to hide behind the seat opposite me. I don’t mind difficult targeting, but inconsistency is a problem. And other times, I’d barely aim and take out a room. Several times I would nail a guard with what I thought was a killshot only to see him get up like he had been bitten by a mosquito and keep fighting. And be prepared for some shockingly resilient enemies. Why is my shotgun my best long-distance weapon? Why is my handgun more efficient than my automatic weapon? The general firefights of “Kane & Lynch 2” feel somewhat arbitrary. The targeting system is a bit of a mess with a reticule that seems inconsistent and weapons that don’t feel quite right. Now, there will still be some frustration. The lack of variety to gameplay is frustrating but the shocking brevity of the title - the single-player campaign shouldn’t take you more than four hours - alleviates some of the repetition. There are no upgrades to weapons, no collectibles, not even any grenades (although some well-placed fire extinguishers and gas cans make for some fun boom time). Except for one bit from a helicopter late in the game, it is a strikingly repetitive affair. and take cover until all of your enemies are dead and then you move on to the next set-piece. In other words, you walk into a warehouse, abandoned building, food court, etc. The player carries two guns at all times, regularly swapping them out or picking up ammo from fallen enemies.Ī majority of the gameplay consists of room-clearing sections.
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The game is a repetitive series of cover, shoot, run, repeat. Hundreds of cops, security guards, and other bad guys descend upon Kane and Lynch around every corner.
It can be disorienting but I quickly adjusted to the unique visual style. The deadly pair is followed by what feels like a reality show cameraman, creating a handheld feel complete with pixilated violence and nudity. From there, the player takes the role of Lynch (or co-op split-screen or over Xbox Live with both characters active) as he and his buddy Kane simply try to escape. The city is the only setting for “Dog Days” and the game opens with Kane’s arrival, shortly followed by all Hell breaking loose after the death of a very important girl. In fact, the Chinese Board of Tourism may want to file a complaint because the game makes Shanghai look like the deadliest, dirtiest, grimiest, just-plain-awfulest place on Earth. “Kane & Lynch 2: Dog Days” definitely wins points for brutality, if you’re into that kind of thing. Very rarely have you played a shooter level like the one in which a near-death, butt-naked Lynch is limping through a Shanghai mall and picking off oncoming enemies with his trusty firearm. It’s an entertaining shooter for hardcore fans of hardcore action but it won’t breakthrough beyond its target demographic. Like a lot of recent shooters, everything that works about “Dog Days” is off-set by something that feels underdeveloped. CHICAGO – The ultra-violent third-person shooter “Kane & Lynch 2: Dog Days” wins points merely by the developer’s refusal to pull any punches when it comes to visceral, pitch-black action, but a few frustrating elements continue to hold the franchise back from what it could have been.
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